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George Burt has written about 35 works (orchestral, chamber and electronic). He began composing in his middle teens, but during his earlier years he was also known by his friends for, among other things, having lived a rather diversified life in order to make a living. While pursuing studies between ages 12 and 32 he worked as a "doubler" (wood winds), played jazz and "what seemed a thousand shows" in theaters and hotels. When work slackened, which it invariably did at times, he shipped out as a deckhand in the Merchant Marine, drove an ambulance or worked as a laborer. "Life was a bit more manageable" once he secured a teaching position as a professor of composition.

Born in San Francisco and raised in Sausalito, he attended The San Francisco Conservatory and received degrees from UC Berkeley, Mills College and finished graduate studies at Princeton. During these years Burt considers himself very fortunate to have studied with such luminaries as Darius Milhaud, Roger Sessions (5 years), Andrew Imbrie, Leon Kirchner and Milton Babbitt. He also worked with Gyorgy Ligeti for one year in Vienna while on an Alfred Hertz Memorial Grant

His music has been performed by the Detroit and Houston Symphony orchestras, the Paris Opera Orchestra as well as the Cleveland Chamber Symphony Orchestra and by chamber ensembles in innumerable college and university campuses throughout the country. Most recently he has written a Symphony no I, an Octet (4 winds, 4 strings) which was played in Houston in 2006, a Quartet (A.Fl., Bsn., Vibe., and C.B.), taken on tour in 2006 by virtuoso bassoonist, Benjamin Kamins, and a Quintet called "Child Street" (2 winds, 2 strings and Piano. His works have been published by Jobert, Paris, M.M.Cole, Chicago, Gemini Press, N.Y., and Alexander Broude, Inc, N.Y. His recordings have appeared under Summit Records, GM Recordings and Art of the States.

In addition to concert music, Burt has scored seven feature length films, two for Robert Altman, which, according to ASCAP, have been shown in virtually every corner of the earth. "Secret Honor" (1984) won countless awards and accolades particular amongst actors and critics in the United States and Europe. Altmanšs film of "Fool for Love", a complex stage play by Sam Shepard, starring Shepard, Kim Basinger, and others attracted broad attention as evidenced by a full page notice on the cover of Newsweek and featured articles in major newspapers and magazines in the U.S. and England. Other non-concert music ventures include music for three documentaries and two stage plays by W. B. Yeates.

In another capacity, Burt is the author of "The Art of Film Music", Northeastern University Press, 260 pgs. (1994), used as a text in film and film music classes throughout the US, Europe and, as I have been told, the Republic of China. This book is commonly regarded as one of the best writings on the subject and has been highly recommended by experienced people in the field such as David Raksin, Robert Altman, Leonard Rosenman, Gunther Schuller, Henry Brant, Alex North and many others.

Burt has taught at Smith College, The University of Michigan, Rice University and USC. During these years he began the now well-established electronic studio at Smith College, directed a 4-day national meeting of lectures and concerts for the American Society of University Composers in Ann Arbor, and gave thirty concerts (in thirty days) on tour throughout Alaska performing his electronic music. He was the director of SYZYGY, the new music ensemble at Rice University (ten concerts per year for 6 years) and developed the graduate theory/analysis program at Rice. He has received awards from Alfred Hertz Memorial Foundation, ASCAP (4), Horace Rackham grants (4), the Briarcombe Foundation, The McDowell Foundation, Paul Henry Merritt Prize, Woodrow Wilson and Roy Dickinson Welch Fellowships.

He now resides in Sonoma, California where he composes and where he has initiated and directs a new music concert series, "Notes from the Underground". This series enters its second season beginning Fall 2007.


CONCERT MUSIC
by George Burt

Orchestral Music


Symphony #1 for Symphony Orchestra (2001)

Interlude for Chamber Orchestra (1990)
Commissioned and performed by the Cleveland Chamber
Symphony, Edwin London, conductor
Recorded: "Sound Encounters", GM Records,
(Released Fall 1994)

Exit Music III for Symphony Orchestra (1987)
Commissioned and performed by the Houston Symphony

Variations for Orchestra (1980-81)
Commissioned by William Albright

Two Movements for Orchestra (1977)
Performed by the Detroit Symphony, Lucas Foss, conductor.

The Census for Symphony Orchestra ( 1972) (Unfinished)


Chamber Music


Quintet "Child Street" for Fl./A. Fl., Cl./B. Cl., Vln., Vlc., Pft. (2007)

Quartet "Voices of the Blue Wing Inn" (2006) for FL./A.FL.,Bsn., Vibe. and C. Bass.
Commissioned by Benjamin Kamins and taken on tour.

Octet. (2005)
for Fl./A. FL., Ob./E. Hrn., Cl., B. Cl., Vln., Vla., Vlc., C. Bass.
First performed at Rice University

Boundaries: Movement for Viola and Piano (1994)
Commissioned by Csaba Erdelyi, performed on Sysygy Series, Rice Univ

Four Studies for Viola Duet (1994)

Three Ballads for Horn Quartet with Jazz Quartet (1988)
Commissioned by Thomas Bacon
Recorded: "Thomas Bacon, The Flip Side" Summit Records, 1989

Exit Music II for six Instruments with saxophone (1982)
Commissioned by Larry Teal, performed at Univ. of Mich.

String Trio (1978, revised 1984)
Performed at Univ. of Mich. and Rice Univ.

Exit Music I for Twelve Instruments (1968)
Published by Jobert, Paris. Performed at ASUC convention and at Town Hall in N.Y., Sydney Hodkinson, cond. and at Univ. of Ill., Edwin London cond.

Canzona for Vla. and Vlc. (1966)
Performed at Smith College and Lincoln Center

Four Studies for Percussion Ensemble , six players (1965)
Published by M.M.Cole Co., Chicago

Composition for Flute and piano (1964)
Performed Composers Forum, N.Y.C., Sophie Sollberger, Fl.

Aubade for Six Instruments (1961)
Performed on Composers Series, Princeton

String Quartet in Three Movements (1960)
Commissioned and performed by the San Francisco Composers Forum and at Smith College

Chamber Concerto for Eight Players (1959)
Performed at Mills College and Stanford Univ., George Burt, cond., and at Princeton, John Harbison, cond.

Four Short Piano Pieces (1957)
Commissioned and performed by Fae McNally
Published by New Valley Music Press, Northampton, Mass.
Also performed by George Walker and Brian Connelly

Duo for clarinet and trumpet (1956)

Five Canons for solo winds (1955)


Choral Music


Settings of Three Tunes for Chamber Chorus (24 voices) and Jazz Quintet (1984) Commissioned and performed by Bobby Holland

Time Passes for chorus and Pft. (1972)
Commissioned by The American Book Co.
Published by Gemini Pres, Inc., (Alexandra Broude: sole agents)

Axis and Canon for Chorus (1971)
Commissioned and Published by the American Book Co.

Last War Blasts for Double Men's Chorus (1967)
Commissioned by Amhearst College

New Hampshire for Double Women's Chorus (1965)
Commissioned and performed by Iva Dee Hiatt and the Smith College Women's Chorus.
Published by Alexandra Broude, Inc., N.Y.

To A Myrtle Tree for Six Voices, (1956)


Electronic Music


Sam's Story for Synthesizer, Elect. Pft. and Tape (1974)
Score to be played "live" with the film "Sam's Story"
(written, directed and edited by George Burt).
Taken on tour: Alaska and West Coast (60 concerts)

Quartet for Synthesizers (1973)
Commissioned by Herbert Bielewa for broadcast on radio station KPFA, Berkeley

Improvisation II for Synthesizer, Elect.Pft. and Tape (1972)
Taken on tour: Alaska and West Coast (60 concerts)

Music for The New York Hat for Synthesizer, Elect. Pft., and Tape (1972)
Score to be played "live" with the film "The New York Hat"
starring Mary Pickford b D.W.Griffith,1912.Taken
on tour: Alaska and West Coast (60 concerts)

Improvisation I for Two Synthesizers, Pft., Perc., C.B.,
and Tape(1971)Commissioned and performed by Fae McNally
for the Inverness Music Festival, Calif.


George Conducting


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